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The author reads his magnum opus revealing an entirely different perspective on planet Earth as viewed from the 37th century. Approximately 30 CDs
The talk presents an audacious, surreal narrative blending history, conspiracy theory, and cosmic horror. It explores a dystopian reality in which time-traveling slime mold operatives compete against aliens and human factions to manipulate historical events. Told from the perspective of a 37th-century bio-plasmic entity, the story covers everything from Washington politics and celebrity immortality escapades to clandestine wars fought with bioengineered weaponry and psychic espionage. The protagonist weaves a tale of subterfuge, omnipresent alien control, and bizarre tactical maneuvers, all wrapped in a mix of dry humor and dark prophecy.
This narrative presents an alternative history in which extraterrestrial and interdimensional entities, particularly time-traveling slime molds, have shaped Earth’s destiny. Operating as shadowy chessmasters in human affairs, these futuristic bio-plasmic operatives oppose both aliens and rival factions of their species. The protagonist recounts various critical events—including the Kennedy assassination, Marilyn Monroe’s disappearance, covert Pentagon experiments, Cold War intrigue, and even the subliminal control of society through media and culture.
The Great Mother Slime Mold, an entity originating from a White House slop bucket, is revered by the protagonist and its operatives. It is suggested that both human history and politics have been guided by competing factions of red and blue slime molds. Through elaborate narrative loops, the speaker highlights the existential futility of human governance, war, and independence, all sources of amusement and tactical experimentation for non-human overlords.
The talk is a whirlwind of absurd yet well-researched history, cynical commentary, and instances of metafiction, implicating the audience as passive participants in an elaborate, orchestrated reality simulation. While reveling in its own contradictions, it presents a nihilistic yet cosmic vision of history ruled by unseen, immortal intelligences who operate at a galactic scale where human civilization is merely a small, infinitely repeating event.
"A surreal, dystopian vision of Washington D.C., infused with cosmic horror. A glowing, translucent slime mold the size of the Lincoln Memorial pulses ominously in the National Mall, tendrils snaking into government buildings. Shadows of humanoid figures with distorted, liquid-like forms emerge from underground Pentagon bunkers, wielding crystalline lasers. A storm of biological spores rains down over the city as UFOs hover in synchronized military formations. In the foreground, a figure in a 1960s suit, their flesh flickering between human and gelatinous, manipulates a chessboard where famous historical figures serve as pieces."