Origami I/Guidelines for the Practitioner

CDT209

Origami I/Guidelines for the Practitioner

Bardo, Top52

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(1) CDs: 7.95

Side A: Origami I: This talk from 1971 centers on the Japanese paper-folding artform, Origami. The Zen Roshis, who use this art as a teaching tool, say "It's all in the folding and the unfolding." The result of the folding and unfolding is called the material world, or Maya, which is the electromagnetic field upon which the Lord works. Origami is a way of teaching one how to work. Side B: Guidelines for the Practitioner/Labyrinth Reader: This talk given in the early '70s explains for Transit Practitioners how to act appropriately in a variety of situations; potential trouble a Practitioner can get into and how to handle it; and how to communicate with the family of the deceased. The talk stresses the point that a Practitioner never backs down from his or her ministry.

Synopsis

This talk explores Origami as a metaphor for spiritual practice, focusing on the process of folding and unfolding as a teaching method. The speaker connects this idea to Zen training, time and space as illusions, and the deeper nature of material existence. The talk emphasizes the importance of precision, patience, and understanding how and when to act or refrain from action. The discussion also touches on practitioner responsibilities, the use of sacred texts, and the challenges of maintaining spiritual integrity in the face of external resistance.

Summary

The speaker introduces Origami as more than just a craft—it is a meditation tool and a method for understanding the universe. In Zen practice, origami is used like the game of Go or kendo training—simple in appearance but profound in its implications. The core teaching repeated throughout the discussion is: “It’s all in the folding and the unfolding.” This process is likened to the cycles of existence, self-transformation, and the play of illusion (Maya).

A significant portion of the talk is devoted to understanding how and when to act. Just as an origami master knows when to fold and when to unfold, a practitioner must know when to intervene, when to step back, and when to let events play out on their own. The speaker expands this idea into a discussion on time and space, explaining that they are open constructs, not fixed realities, and that our attachment to them limits our perception.

The conversation shifts to the responsibilities of spiritual practitioners, particularly in the context of guiding the dying. The speaker discusses the importance of authorization for performing death readings, the challenges practitioners face from skeptical or fearful families, and the importance of maintaining spiritual authority in difficult situations. Practitioners are encouraged not to waver or abandon their post when confronted with resistance, whether from family members, medical staff, or even other religious figures.

The talk also explores the nature of material reality as a reflection of higher processes. The physical world is described as a feedback system, much like a spot-check process in manufacturing—what we see and experience is merely the output of deeper mechanisms at play. The danger, the speaker warns, is becoming too attached to the material world, mistaking it for the true reality rather than recognizing it as the result of unseen forces at work.

Finally, the speaker addresses the evolution of sacred texts, particularly comparing the Tibetan Book of the Dead and the American Book of the Dead. The shift in dharma from East to West is noted, with an emphasis on how spiritual teachings change based on their cultural context. The talk concludes with a reflection on the importance of maintaining spiritual clarity, avoiding attachment, and understanding the folding and unfolding of existence as both a teaching and a practice.

Keywords & Key Phrases

  • Origami as a meditation tool
  • Folding and unfolding as a spiritual process
  • The illusion of time and space
  • Knowing when to act and when to refrain
  • Practitioner responsibilities at death
  • Maintaining spiritual authority in resistance
  • Material world as a feedback system
  • Attachment to material reality as illusion
  • Spot-check metaphor for perception
  • Sacred texts and the evolution of dharma
  • Comparison of Tibetan and American Books of the Dead
  • Navigating external opposition in spiritual work
  • The hidden structure behind physical existence
  • Understanding life and death as cycles of transformation
  • Balancing detachment and participation in the world

Graphic Prompt

*"A lone figure sits at a table, carefully folding an intricate origami crane. As they fold, golden light emanates from the creases, revealing an entire universe unfolding within the paper. In the background, shadowy figures observe—some in awe, some in resistance—representing the challenges of spiritual practice. The scene is both serene and mysterious, evoking the sense that a simple act holds profound cosmic significance."*