
Required listening for all newcomers, this tape is an eye-opener on the subject of apprenticeship and its use in the studios of such masters as Rembrandt. E. J. Gold discusses how apprentices can earn a place for themselves in the studio of a master craftsman. This tape discusses apprenticeship, practical work, and the difference between coming to the Work to learn and coming to the Work to work. A fundamental talk that lays the ground rules for working with a teacher of any kind. Highly recommended.
The talk critically examines the concept of learning versus working within the framework of artistic and esoteric traditions. Using the model of Rembrandt's studio, the speaker explores how apprentices learned the craft not through theoretical instruction but through direct labor, contributing to the business of art production. This is then compared to Gurdjieff’s endeavor, revealing that his teachings were misunderstood and misapplied because people sought to "learn" rather than to "work." The discussion argues that true mastery emerges through experiential engagement rather than passive study.
This discussion uses the analogy of Rembrandt’s workshop to critique the misunderstandings surrounding spiritual and artistic traditions. The speaker asserts that Rembrandt did not create a traditional "school" but rather a production workshop where apprentices contributed to the creation of artworks while inevitably absorbing his methods. Apprentices did not attend to passively "learn" but to actively participate in labor.
This framework is then applied to Gurdjieff’s legacy. The speaker contends that Gurdjieff was engaged in a business, just as Rembrandt was, but that his followers mischaracterized it as a school focused on learning rather than a workshop or studio focused on productive work. A key argument is that the modern Gurdjieff work has failed because people approached it with a student's mindset rather than an apprentice’s. Spiritual schools, like artistic studios, only preserve their essence when people engage in actual work rather than attempt to extract knowledge in abstraction.
The talk also highlights the consequences of this misunderstanding: because Gurdjieff's followers were trying to "learn" rather than take responsibility for contributing to the work itself, his teachings have been largely lost. Just as Rembrandt’s workshop was a functioning business producing a specific artistic output, Gurdjieff's endeavor was a business creating spiritual and artistic works in various media. However, the lack of engaged apprentices willing to continue the work led to its eventual dissolution. The speaker emphasizes the importance of understanding this model and avoiding similar pitfalls in their own context.
"An atmospheric workshop interior filled with focused apprentices engaged in painting, carving, and bookmaking under the dim glow of oil lamps. A master artist, resembling Rembrandt, corrects a student's brushwork. In the background, another section of the workshop reveals a stage where figures rehearse movement-based esoteric practices, evoking a hidden knowledge being transmitted through action rather than words. The setting combines the Renaissance aesthetic with subtle mystical undertones, illustrating a place of production, discipline, and mastery."