
An excellent invocational dinner talk in which Mr. Gold elicits from a group, with the help of two other groups by easaphone connection, the understanding and background for a precise formulation of a work idea. This invocation covers the awakening of the heart, machine voice versus essential voice, nonphenomenal anatomy, correspondences between higher and lower dimensions and other fresh data related to group work towards awakening the machine.
The talk revolves around complex philosophical and metaphysical discussions about the nature of self, breath, and spiritual awakening. It explores the relationship between the essential self and the machine (organic bodily existence), touching on the idea of divine breath and how it influences consciousness. The conversation also discusses practical aspects of group work, commitment, and engagement in self-exploration, particularly through structured activities like music, salesmanship, and presence. The importance of allowing something intrinsic to "become excited" and speak for itself is emphasized, as is the danger of veiling true understanding with naming and mental constructs.
The discussion begins somewhat chaotically, with language switching between English and French and moments of humor and informality. However, it evolves into a deeper examination of the nature of breath—not merely as a biological function but as a conduit for a higher force in the essential self. The key concept is that, just as organic breath reposes in the lungs, the breath of the essential self reposes in a spiritual counterpart. However, when the ego interferes, this process is disrupted.
The conversation further explores the relationship between the chronic (manifesting faults or traits) and the chief weakness (the deeper flaw in the essential self). A philosophical equation is posed: the chronic is to the machine what the chief weakness is to the essential self. Through this, the speaker emphasizes the importance of direct experience over intellectual contemplation, instructing participants to let the essential self's breath "become excited" rather than engage in mental naming, which only obscures deeper truths.
Later, practical applications emerge in discussions about group dynamics, commitment to work, and ethical considerations in sales. Selling, it is argued, is not about performance but about activating an inner excitement that others instinctively respond to. This ties back to an experience of music that "excited" the speaker’s breath, illustrating how certain impressions can awaken something within.
The underlying message appears to be that true understanding and transformation arise not from mental constructs but from an emanation of lived experience—one that must be nurtured and allowed space to grow without artificial interference.
A surreal illustration of a glowing human figure divided into two halves: the left half appears mechanical, with gears and wires intertwining with organic lungs, while the right half is luminous, emitting golden breath-like energy. Above the glowing figure, an ethereal hand reaches down, breathing divine wind into their chest. The environment is a vast cosmic landscape, with faint outlines of equations and mystical symbols woven into the stars. The image should capture a transcendent, mystical atmosphere, blending art nouveau and sci-fi themes.