Women in the Work I

CDT139

Women in the Work I

Transformation; Alchemy

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(6) CDs: 32.95

Are there women in the Work? Can there ever be women in the Work? This workshop for women explores adoration of the machine, initiation of men by women, recognition of the machine in sleep and three work songs by Parker Dickson. It's just the thing for that hard-to-let-go-of Male Myth.

Synopsis

The talk explores themes of ancient mythology, esoteric traditions, and the role of women in spiritual transformation. It draws upon Sumerian myths, particularly the story of Inanna’s descent into the underworld, to illustrate both historical and alchemical concepts. The discussion ties these myths to psycho-spiritual development, transformation, and the role of adoration in awakening latent potential within individuals and relationships.

Summary

This unstructured transcript features a lecture that interweaves mythology, history, and esoteric traditions to explore personal transformation. A significant portion is dedicated to the Sumerian myth of Inanna, the goddess of love and war, who descends into the underworld, is stripped of her power, and ultimately resurrected. This allegory is linked to themes in alchemy and spiritual practice, particularly the contrast between male and female principles.

The speaker argues that transformation occurs through the machine (the human biological system), likening it to the archetypal feminine. The idea that "woman is the work" suggests that the processes of devotion, surrender, and attention—akin to how a woman comes to life through adoration—are also necessary for true spiritual awakening.

The discussion moves into practical application, emphasizing that awakening is not a final goal but a prelude to deeper work. Invoking love-making as a metaphor for transformation, the speaker addresses how attention and intensity—without tension or urgency—are fundamental in both personal and esoteric practice. The importance of breath, presence, and synchronization in relationships and spiritual progress is recurrent throughout.

The latter part of the discussion touches upon broader themes, such as historical distortions of religious traditions, differing forms of esoteric schooling, and the necessity for maintaining a connection between mystical practice and everyday life. There is a repeated emphasis on rejecting purely conceptual or symbolic exercises in favor of lived experience and direct engagement with one's own transformation.

Keywords & Key Phrases

  • Inanna’s descent
  • Queen of Heaven
  • Transformational apparatus
  • Peacock Angel
  • The Yazidi
  • Adoration and attention
  • Alchemy and initiation
  • Kurdistan mysteries
  • Sumerian pantheon
  • Earthly vs. spiritual love
  • Shakahachi and breath
  • Gurdjieff and esoteric schools
  • Masculine and feminine principles
  • Transmutation through presence
  • Invocation and embodiment
  • Tension vs. relaxation
  • Machine awakening
  • Lucifer as a Babylonian king
  • The labyrinth of the goddess
  • Eros and transformation
  • The art of lovemaking as ritual
  • Chaldean magicians
  • The lost teachings of Sumer
  • Alchemical resurrection
  • Awakening through devotion
  • Gold as a cloak of knowledge

Graphic Prompt

"A mystical and atmospheric digital painting of an ancient Sumerian temple, half-buried in the desert sands, with the figure of Inanna descending a dark stairway into an ethereal underworld. Ghostly symbols and lapis-colored energy trails mark her path. Above, the night sky is filled with constellations resembling ancient cuneiform inscriptions. In the foreground, a lone robed figure (resembling a Gurdjieff-like mystic) stands with a staff, watching the descent with solemn reverence. The mood is otherworldly, with a balance of deep shadow and luminous celestial glow."