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Sensing the machine in sleep, the sixty-day exercise to gather "Exhibit A," beginning steps to awaken the machine, transference from the machine to a nonphenomenal self then to the Being, and eating consciously are discussed. Parker Dickson offers three new work folksongs.
The talk explores the idea of human consciousness as being trapped in a "sleeping machine"—a mechanical, habitual way of existing. The central aim is awakening from this state and using the machine as a transformational tool. The discussion covers the processes of gathering evidence of the machine's sleep, differentiating between automatic and conscious actions, and developing willpower to sustain awakened states. Practical exercises and group observations are suggested to better understand and transcend mechanical behaviors.
The discourse investigates the nature of human unconsciousness, likening it to a machine that operates on automatic processes. The first step toward awakening is gathering evidence of this mechanical state, both through personal observation and external feedback. A key challenge is that the act of observing can momentarily wake the machine, making true unconscious patterns elusive. Participants are instructed to maintain an "evidence book" documenting instances where they or others notice mechanical behavior.
After accumulating sufficient evidence, the realization that the machine is in a state of sleep leads to an existential discomfort termed the "terror of the situation." This awareness can be unsettling, akin to recognizing one's existence in an automated, unconscious state amongst others who are equally unaware. From this realization, individuals must develop willpower—the "will of attention"—as a tool to influence and guide the machine toward true wakefulness.
Various practices are discussed, including sensory observation, tracking personal habits ("schtick"), and using exercises such as the "last hour exercise" or "adoration" to systematically break identification with mechanical reactions. Ultimately, the work aims at awakening and directing the machine towards transformation, eventually moving beyond identification with the machine and into a deeper state of being.
A surreal, symbolic artwork depicting a humanoid automaton, partially disassembled, with glowing internal machinery. The automaton's expression alternates between mechanical indifference and awakening realization. Two overlapping silhouettes: a ghostly, luminous human form emerging from within the automaton, representing transformation. The background is ethereal, with a cosmic, dreamlike quality, incorporating symbolic elements like a courtroom (evidence collection) and scattered mirror shards reflecting different versions of the automaton's face. Use a mix of steampunk and visionary art style, chiaroscuro lighting to emphasize awakening contrasts.