
A talk on Science Fiction Writing, space changes, animating the story with attention, the seed of death contained in life, spiritual work and life-sized Bunraku puppetry.
This talk at the *New Age Center* is an expansive, free-flowing exploration of spirituality, storytelling, theater, and science fiction as pathways to transformation. The speaker challenges traditional divisions between spiritual work, art, and popular culture, arguing that all disciplines ultimately serve the same function—awakening. Themes include the nature of esotericism, the power of storytelling, the process of inner work, and the role of suffering and discipline in transformation. With humor, anecdotes, and theatrical improvisation, the talk encourages the audience to see beyond rigid definitions and recognize the hidden spiritual dimensions in all aspects of life.
The talk begins with a theatrical anecdote about film production mishaps, setting a tone of playful improvisation that carries throughout the discussion. Rather than a structured lecture, the speaker engages dynamically with the audience, responding to questions and using humor, storytelling, and metaphor to convey deeper truths.
Key themes include:
The speaker dismantles the artificial barriers between spirituality, fiction, and performance, arguing that all are tools for awakening, self-reflection, and inner development. The talk references Philip K. Dick, Frank Herbert, and Robert Heinlein, exploring how science fiction can serve as a blueprint for new levels of consciousness.
The discussion critiques the Western misunderstanding of the guru-student relationship, emphasizing that real teachers do not impose knowledge but offer pathways. The speaker suggests that reading a book is like receiving instructions to enter a particular state of mind, rather than being told an absolute truth.
A key insight is that all great teachings function as stories, meant to be lived and interpreted rather than passively consumed. The speaker references the Tibetan Book of the Dead, Bunraku puppetry, and Jewish folklore, illustrating how different traditions encode wisdom through performance and narrative.
A detailed discussion of Japanese Bunraku theater emerges as an unexpected metaphor for inner work and self-integration. The speaker explains how three puppeteers control a single puppet, mirroring the struggle within each person to align mind, body, and essence into a single, fluid expression.
The talk examines how spirituality has become commodified and mainstreamed, leading to a dilution of authentic inner work. The speaker argues that true esoteric work remains hidden, not by design, but because it must be sought rather than given.
One of the most striking metaphors in the talk compares spiritual development to baking bread. People are described as dough rising through the process of life, undergoing heat and pressure until they are "fully baked." The speaker humorously warns about becoming half-baked or burnt, emphasizing that stress and suffering are essential for transformation.
A surprising tangent explores prison systems as involuntary ashrams, where incarceration could—if reoriented—serve as a path to inner work rather than just punishment. The discussion touches on social structures, control mechanisms, and the hidden potential for transformation even in restrictive environments.
The talk references Gurdjieff's concept of Kundabuffer, describing how many in the spiritual community mistake knowledge for awakening. The danger of believing one is awake simply because they engage in spiritual discourse is emphasized.
A discussion on energy usage and discernment arises, questioning how individuals waste or misuse their energy. The speaker suggests that true work requires containment and careful focus, rather than scattershot engagement with every idea or practice that appears "spiritual."
The talk concludes with a classic Jewish storytelling punchline, reinforcing the idea that direct experience always outweighs intellectual understanding. The overarching message is that life itself is an esoteric experience, one that should be actively lived, questioned, and transformed.
"A surreal fusion of theater, mysticism, and esotericism. In the foreground, a Bunraku puppet operated by three shadowy figures, each representing mind, body, and essence, moves with fluid, almost human-like grace. Behind them, a cosmic stage unfolds, where stars form intricate webs of storytelling, intersecting with pages of open books and theatrical curtains. In the distance, a loaf of bread bakes in a celestial oven, its heat radiating transformation. Above, a hidden puppeteer—a cosmic hand—hints at an unseen force orchestrating reality. The entire scene blends Japanese artistry, metaphysical symbolism, and a hint of playful absurdity, capturing the mystical nature of performance as a vehicle for awakening."